Disclaimer 1: Spoilers for The Falcon & The Winter Soldier. Seriously, if you haven’t watched the entire series, read no further.
Disclaimer 2: I enjoyed TF&TWS. After last week’s post, I was happy that the finale answered a few questions I had and focused enough on Sam that I wasn’t annoyed. Last week, I was definitely on a rage bender from The New Mutants, and jumped the gun on some heavy criticism of The Adventures of Birdman & Arm Man. I just wanted to take a moment to say I pro-o-o-o-obably should’ve waited for the final episode before tearing into it (last week’s post really could’ve been a well deserved, merciless takedown of The New Mutants, a movie that perfectly caps the bullshit spectacle that was the majority of the FoX-Men universe).
Having said that . . . I am a very heavy editor. I’ve admitted that a bunch of times on this site. It’s just in my nature to think about how a story could have been better. And nothing, from my favorite series to my own writing, escapes that obsessive “it could have been better” reflex. Seriously, I loved She-Ra and the Princesses of Power, but my very first “Edited in Post” was on that series anyway. Actually, I think this series might always be for movies and shows I love (because I tried a few weeks back to write one for a movie I didn’t like and ran out of steam 2 paragraphs in).
What I’m getting at though: as a man who likes Marvel stuff and enjoyed The Falcon & The Winter Soldier, I just . . . really think it could have been better.
To the extent that I re-e-e-e-eally had to do an “Edited in Post” after the series finale.
If you’re new here, “Edited in Post” is a script doctor series; a vehicle by which I, a random aspiring writer on the internet, explains how I would’ve edited a movie or TV show if its script hit my desk in pre-production. This is all 100% for fun, so if you love TF&TWS, cool. This post in no way threatens that.
How I’m going to tackle this: a list of edits I would’ve made followed by a super rough outline for how I would’ve reworked the story.
That said, let’s just jump into the edits. And yes, we’re starting gentle to establish a baseline for the kind of edits I’d make and the reasons I’d make them.
Edit 1: Make It So One of the Senators
Was Sam’s Former Commander
If there was only one change I could make to the show, this would be it.
I would’ve just added a named Senator to the cast. And, in the very first episode, in a brief, snappy exchange (in the crowd after the shield passing ceremony), I would’ve conveyed that when Sam was in the military, that Senator was his CO. And maybe that former CO is still comfortable speaking to him with authority (not belittling him, but definitely pulling rank, with Sam saluting and calling him “sir,” etc.). In this same scene, the Senator would thank Sam for taking his suggestion to give up the shield, conveying that he was pivotal in getting Sam to turn the shield over to the government.
In episode 2, after the reveal that the shield went directly to John Walker, we get a tense phone call between Sam and that commander who basically says, “This is just the way things have to be,” to convey that classic “it is what it is <shrug> oh well,” down-talking energy that shitty government officials have. Maybe here, he more abrasively pulls rank and asks if Sam is questioning the military, even though Sam is an Avenger who helped save half of the universe.
In the final episode, that Senator is among those saved from the Flag Smashers (maybe taking the lines of the one male Senator who told Sam he didn’t understand politics) and we’d get the catharsis of Sam challenging his morals and winning–on camera. Just to make things a bit more personal for Sam (which I think was missing) without making insane changes to every single episode.
Okay. Turning the Editing Dial up just a notch . . .
Edit 2: More Isaiah Bradley and the Project Rebirth Suit
Definitely getting crazier here, but I would have added another scene with Isaiah Bradley or his grandson, Eli.
I’ve thought about it a lot and there are so many ways this could’ve been done, but my goal for adding more Isaiah would’ve been threefold.
- I would’ve wanted him to seriously and more intensely challenge Sam’s feelings about the government way, way earlier.
- I would’ve wanted to (again) make things more personal for Sam.
- And I would’ve wanted him to somehow dismissively give Sam the suit he wore while he was doing missions after Project Rebirth.
The most extravagant way to do all of this: Isaiah lives in Sam’s town from the very beginning. Maybe he was an old man Sam always knew, who always bitterly challenged him for serving in the military and/or wasn’t impressed by him being an Avenger, particularly for working with Captain America. When Isaiah finally reveals the truth to Sam and tells him to leave, maybe he adds, “While you’re at it, take this too. And you throw it in the goddamn gutter when you leave,” and tosses an old duffle at him.
When Sam leaves, he opens the bag to find an old, burned suit that’s similar to Captain America’s–an MCU take on his costume from the comics, with logical alterations (maybe no headband, no scales, different color tones, etc.).
The less extravagant way to do this (and the way that I definitely prefer) would’ve been Sam going back to Isaiah’s house, but only Eli comes to the door. I would’ve done this mid-series, with Eli telling Sam some story from Isaiah’s past to explain why Isaiah is done with all of this and won’t talk to him (allowing for a potential flashback). But maybe Eli wants his grandfather to be happy, or wants him to be remembered as the hero he is; and/or maybe Sam manages to convince him that he cares, which makes Eli go inside and come out with an old duffle bag. “I’d tell you to hide it and get out of here, but . . . I don’t even think he’d notice it was gone.” Sam takes it, opens it up, and finds the old, burned suit.
Either way, at the end of the series, I would’ve had Sam either wear this exact suit (after cleaning it up), or he would’ve altered it to make something new, showing that he wasn’t just taking up Steve’s legacy.
“But wait,” you might be asking. “What about that sweet ass suit the Wakandans made for him?”
Yeah . . . I mean, I like that outfit for sure, but . . . I don’t think the Wakandans would’ve been in my version of the story because . . .
Edit 3: Completely Cut Baron Zemo
Okay. Hear me out.
We’re in full challenge mode now, but before you close this window, let me just say: I cannot tell you how excited I was to have Zemo return for this show.
In the promo material, I was seriously freaking out when I saw his mask. Like Kang the Conqueror, Zemo has always been one of the Marvel villains I absolutely love. Like, without backstory, if either of those dudes walked into a room and started talking, I’d be like, “Who-o-o-o-okay! Who the fuck is this dude with the blue face and the super deep voice!?”
“Who the fuck is this smooth talking dude with a purple mask and a purple jumpsuit with fucking leopard fur shoulder muffs? And why does he have a sword??”
Seriously, I love Baron Zemo.
But he is just a waste of time on this show.
And, worse, he . . . kind of feels like a completely different character from Civil War Zemo? Like, seriously, Civil War Zemo didn’t frame Bucky and find the other Winter Soldiers so he could kill super soldiers–he did it to make the Avengers fight each other. If TF&TWS Zemo had been in Civil War, he would’ve just shot Bucky in the head the first chance he got and then tried to do the same to Steve Rogers. Like, he will just forever feel like two different people to me.
To boot, Zemo doesn’t have an arc on this show? And, at least to me, it doesn’t feel like his contribution to Bucky’s arc . . . matters? Like, if Ayo had asked Bucky if he was going to kill Zemo, and then warned him that doing so would be bad for him, and then we saw Bucky deciding not to kill Zemo even though he wanted to, that would’ve been good character growth. But, from the very first episode, it’s shown that Bucky doesn’t struggle with an itch to kill the people who used to control him, so . . . why is Zemo there?
Whatever. The real point here is, I would need time for more Isaiah and tense convos with Senator Douchebag, so I would’ve cut Zemo, meme dance be damned.
The biggest loss here for me would’ve been losing Ayo and the Dora Milaje kicking ass. Oh, and that cold open with Bucky in Wakanda was a good moment. I definitely would’ve tried fitting them in anyway (maybe Ayo is there to check in on Bucky?) but if it came down to it, yeah, I would’ve killed some darlings.
The Rework Outline
Episode 1 – Exactly as it was, only with the addition of Senator Douchebag.
Episode 2 – Also as it was, but with Sam talking to Senator Douchebag. Without Zemo, the cliffhanger would have to be that Sam and Bucky are contacted by Sharon, who invites them to Madripoor, or gives them a lead in the city.
Oh, also, I’d be remiss if I didn’t add that I would’ve heavily edited some of Bucky and Sam’s bickering. In this episode in particular, some of their back-and-forths were super cringey. To the extent that I would’ve crossed out entire pages and handed them back like, “No.”
Just throwing that out there for anyone who thinks I play favorites with Marvel; nope, I harshly criticize boardroom writing wherever I find it.
Episode 3 – Essentially the same, but cutting out the Zemo breakout to replace it with Sam going to Isaiah’s and talking with Eli, getting an Isaiah story flashback, and getting the suit. Continue with the trip to Madripoor, with everything Zemo would’ve done achieved via Sharon’s connections and Joaquin Torres providing tech support (i.e. guy-in-the-chairing) instead.
Without Ayo making a cameo, maybe it ends with the hint that Sharon is working with someone? Not sure, but I’d definitely be able to figure it out if I was actually in the writing room, instead of belting this out in four hours.
Episode 4 – Basically the same, but with Sharon instead of Zemo. Maybe work in clearly grey-area things Sharon is doing to hint at her being/working for the Power Broker, but give every weird thing she does a logical excuse. Or, if you didn’t want to risk spoiling her twist . . . maybe we could just use Joaquin? Like, maybe Joaquin Torres actually gets to step in and help a bit more, since he eventually becomes the Falcon? Just saying–it would’ve been cool to give the MCU’s first Latinx superhero more to do in his first appearance. Ya know, aside from getting his ass kicked by a super soldier?
Whatever. The episode still ends with John Walker killing a dude in public.
Episode 5 – Largely the same, only an alteration to the scene with Isaiah, with Sam showing him that he has Isaiah’s old costume. “Your grandson gave it to me. Because he wants what I want. To help you.”
Cliffhanger with Sam working on Isaiah’s old suit, attaching and repairing his wings with Joaquin’s help (I’m going to keep adding him into every scene I can).
Episode 6 – Almost identical, only with Sam in the altered “Isaiah” suit, making all the changes that would be essential for a suit that isn’t made out of vibranium (probably can’t block a crashing helicopter with his wings anymore). Also, of course, we add Senator Douchebag to Sam’s speech scene to make it more cathartic.
And that’s it. Outside of a full story overhaul, that’s how I would’ve changed The Falcon & The Winter Soldier. Just representing Sam’s military life the tiniest bit and adding more Isaiah while removing extraneous characters. In my eyes, that would’ve made it a bit more personal for Sam while making Isaiah a better mirror for him.
But the major thing I would’ve loved: Sam in Isaiah’s suit. It would’ve been emotionally complicated and scenes would’ve needed to be tweaked to support it, but I definitely would’ve cried my eyes out.
A-a-a-a-anyway, that’s it for me. Thanks for reading if you made it all the way to the end; I really appreciate having this forum to at least vent these ideas.
That said, I post here every Sunday. If you’d like to read more stuff like this, feel free to drop by then or Follow my blog via the button on the left sidebar (on desktop) or top right drop down menu (on mobile). I don’t always do script doctoring, but I do heavily criticize blockbuster movies I don’t like at all (the other end of the spectrum from “Edited in Post”). Those posts are called “A Writer Watching,” and the last one I did was a two parter on Wonder Woman 1984 (Part 1, Part 2). Give it a read if you want to revisit your hatred for that movie. Or your hatred for people who hated that movie.
Until next time, take care. And, if you’re really down for getting into some seriously intense race issues in a comic TV show, holy shit, HBO’s Watchmen is excellent. Like, I hesitate to say things are “excellent,” but if you’ve already read Watchmen but haven’t seen the show, watch it. It’s so good.