The Discovery Writer VS Chapter One

Hi there, and welcome to 2017. I know I’m a little late with that greeting, but I’ve been hanging back, trying to make sure I had some great news for an update.

And I do . . . kind of.

Maybe this has happened to you, maybe it hasn’t. If it’s the latter, I hope it never does.

But, since NaNoWriMo 2016, I’ve been engaged in mortal combat with the first few chapters of my novel. Allow me to explain.

And, because it sounds like this story is going to have a bad ending, let me just say that the novel I’ve been working on is really coming along . . . now, at least.

The road to now started with NaNoWriMo 2016, when I decided to write The Hand and the Tempest, a YA fantasy novel that I originally thought of when I was YA aged. In high school, I came up with the main character, the hook, and the arc of the story, which I reworked about two years ago to make a viable novel.

Off the bat, I struggled with it, despite knowing the characters, the plot, and the tone.

During NaNoWriMo, I thought that maybe it was because I always struggle with the first few chapters of¬†my novels, but that didn’t really help me get past the struggling part.

I had to know why I always struggled with my first chapters.

And, in January, on my way to a Barnes and Noble, reading a Facebook post from Brandon Sanderson, I realized why.

I’m a discovery writer.

Of course!

So, hear me out: being a discovery writer, even to my degree (meaning that I have a plot structure but give my characters a lot of freedom to live in that structure) means that the first chapters of my work . . .

. . . are absolute hell.

They are the parts of the book where I know the least about everything–the characters, the setting, you name it.

With my last novel,¬†Memory, that wasn’t as much of a problem . . . because I hadn’t edited¬†Memory yet. I just went in, heart a-blazin’, and wrote everything that was cool. Of course, I also made sure¬†Memory¬†wasn’t action-filled nonsense.

But, despite my efforts, the first chapter of¬†Memory¬†still wound up being a huge problem. Actually, it’s¬†the problem; all I need to do is finish fixing the intro and I can start submitting that novel.

But, what matters for this post is, the first chapter of¬†Memory wound up being a total mess because I was discovery writing a new novel–from the heart. I went with an intro that¬†seemed cool and then slowly wrote myself out of a world where that intro made sense.

That is something that I reflexively never want to do again.

So, when it came to The Hand and the Tempest, I was approaching it with kid gloves without even realizing it. I was leaving a bunch of details up to future me, trying to make sure that the intro made sense.

And that was really driving me crazy. Because I was trying to make sure two chapters made sense in the context of a world that I wasn’t letting myself create.

In January, after finding that Facebook post and having this revelation, I went back and took my time with the first chapter, filling in all of the placeholder names for towns and characters. I gave myself the time to invent things instead of pressuring myself to get it done.

And, letting myself do all of that–create minor details that I didn’t think mattered–made me feel more comfortable and secure in the world I was creating.

And that absolutely turned the novel around for me. After months of going back and forth between being excited about HatT and being worried about it, I finally feel free and secure about writing it.

Unfortunately, that means I’m only up to chapter 4, because I wound up deleting a lot of what I’d already written. But, the good thing is that I’m still doing it.

And I’m excited to do it. Because, in the backwards way of writers, I’m glad I went through the mess of the last two months if it means that I at least know more about my process and how to improve it.

Granted, this has boiled down to me writing at a solid rate of 50% heart and 50% brain–which means that I often write five pages, stare off into space, delete those five pages, and then¬†write five more pages that I keep (as I absolutely did yesterday)–but being able to perfectly balance those two approaches to writing is what I’m aspiring to regardless.

As I discovered during last year’s NaNoWriMo, every bit of progress counts. Every moment of struggle leads to one moment of success.

~~~

Thanks for reading and I hope some of you out there were at least able to commiserate with this one. If it helped you out, that’d be amazing, but even if it didn’t, thanks for passing by.

And, as always, write well.

30 Days of NaNoWriMo 2 – Day 30: Reflection

Well… I made it. Day 30.

Somehow, even though I didn’t struggle to write posts this time–even though I didn’t spend hours finding writing spots, getting pictures, working on the MS, and posting afterward–I’m way more relieved now than I was at the end of¬†30 Days 1.

I’m not sure why. The obvious answer would be, “Well, because you can spend more of your writing time actually working on the novel.” And, sure, maybe that’s it.

But maybe I also just need a break. Especially after today. A brief summary:

  • After feeling my throat getting sore yesterday, I woke up in the middle of the night and vommed.
  • Woke up hours later, determined to go to work and write, although, for the first time ever, I really, really wanted to call out.
  • Got to work, told a manager¬†I might need to leave early, and they told¬†me it was alright if I just left immediately instead. Which was awesome.
  • Basically stumbled home, thinking both, A) “Man, I’m so glad I didn’t get sick earlier in the month,” and B) “But WHY TODAY?”
  • Got progressively dizzier and grosser as I stumbled home. Does this happen to anyone else? It was 60 degrees or so outside, but it felt like summer. Like hot, deathy summer.
  • I went to the supermarket to get soup, tea, and honey. I then struggled those things home, which should’ve been easy, only I was multi-tasking–struggling soup, tea, and honey home while¬†also dying.
  • Realized that the weird, unwieldy set up I had going to carry all of my junk (coat slung over umbrella, held in one hand, sick person goods in the other hand) was a terrible idea, because everything that was in my inner coat pocket had fallen out. Everything in this case meant money. I don’t even know how much. And I don’t wanna think about it.

So, this is the part where I make an excuse, right? This is when I’m like, “So, with all of that bullshit, I just refused to write.”

Words for the Day: 1,326

NaNoWriMo Total: 14,366

Against all odds, I wrote over a thousand words and finished up chapter 2, as planned, leaving me with the rest of the book–the adventure–to work on in the next few months.

And… to me, saying¬†all of that was¬†the best possible way to send off¬†30 Days 2. Not by just talking about what I learned from it, but illustrating it.

With 30 Days 1, I learned what I consider the basics of my writing approach. My personal How-To write a novel. I do it quickly, writing every day, editing important things as I go, focusing on completing something clean that I like, without stopping.

But what I learned from¬†30 Days 2 is that I don’t ever have to stop. If NaNoWriMo 2014 taught me that I could write a novel when I had a free¬†a month, NaNoWriMo 2016 taught me that, no, fuck that “free month” bullshit. If you’ve got it, great, but if you don’t, there’s a¬†way to do it write a novel while you’re¬†incredibly busy.

And that way is simply… finding your schedule.

As stupid and easy as that sounds, all it takes is sitting down and thinking, “Well… when do I¬†like to write? In what condition do I do my best writing? And how can I make sure I’m in that position every day, regardless of what the world throws at me?”

For me, it’s early in the morning, before work. Or, well, early in the “whatever qualifies as morning” (today, it was early in the 1 PM when I woke up from my gross, sick-person coma). I learned to respect those times–those hours of my day–as writing time.

But I also learned to respect everything-else time. I learned that you can’t just shove away recreation–that there’s no quitting it cold turkey; I need to unwind after being productive. I need to play video games, watch a movie, hang out with a friend, watch YouTube, look up pictures of shaved animals, which I did yesterday (hairless¬†chimpanzees are about 1,000,000% more intimidating than they are with fur, btw). And I learned that doing those things isn’t something to be ashamed of. Because¬†feeling bad about doing any of those things isn’t¬†fair to me.

And because it’s the start of the procrastination cycle: “Well, I didn’t write last night, so I feel like shit today and want a distraction even¬†more, so fuck it–I’m going to write later tonight. And now I am writing, but it’s hard again, because it’s late, I’m tired, and¬†fuck this shit–I’ll do it tomorrow!”

I guess the best way to put it then is… I learned how to write and be happy… at the same time.

Which means I’ve learned to write consistently. Tomorrow, I don’t stop; I wake up, shower, write, then deal with whatever the rest of the day throws at me.

And having that–learning how to do that–is something I’m incredibly grateful for. If I could tell any writer to do anything, it’s this: learn how to write on a schedule that makes you happy. Because that’s a¬†schedule you¬†can¬†keep forever.

~~~

Well, that’s it.¬†30 Days of NaNoWriMo 2 is officially over. I’d like to thank everyone who read, liked, followed, and commented. I genuinely wouldn’t have made it without¬†your support. Even if I somehow slogged through the last¬†30 days without backup, these posts would’ve gotten so much less happy, so much more frustrated. So, really, thank you.

I’m probably going to take a month off from posting, in part because I need a break and December is the perfect month for that, but I’ll be back next year, bright and early, to update and talk about the different facets of writing fantasy.

Until then, thank you again for reading! And, as always, write well.

30 Days of NaNoWriMo 2 – Day 29: The Need to Improve

Today’s writing session went extremely well. I was able to figure out the scene that’d given me grief yesterday, bringing me well within range of finishing the second chapter tomorrow. Which is awesome. Especially because it turns out there’ll be a¬†fight scene between¬†Sydney and someone else at the end of the chapter. I am¬†excitedly cracking my knuckles. Fight scenes are my jam, and although this one will be very short, writing it is¬†still going to be really comforting and familiar.

Also comforting and familiar–although maybe it wouldn’t seem awesome at first: spotting clear room for improvement.

At this point in my writing career, visible room for improvement is amazing. Because the alternative, flaws that you totally can’t see, is far, far worse.

As I wrote today, here were some of the mental notes I made:

  • Review Sydney’s motivations. Because they’re super important and need to work beautifully.
  • Add more descriptions for Greenfield. Make it feel like a place, not a background.
  • Find the perfect level of “Modis’ friends,” which currently feels a bit too far on the “He has friends?” side of the scale.
  • And, of course, as always… review names! From “Greenfield” all the way down to “Modis,” with its awkward possessive apostrophe situation.

 

 

There are, of course, other tweaks I’ll have to make, but they’ll all come easily as I write the book.

Whether they come easily or not though, it’s nice to see that whole part of the process in the distance.

And it’s amazing to be¬†really excited for finishing this novel and reaching to the point where I get to edit it.

Because feeling any of this means I’ve come full circle again. Before NaNo 2016, I’d been so worried about editing other things, slowly burning out on how much I could improve. Struggling with important edits that I knew needed doing. Now, with something new to work on, I’m in love with the process all over again.

And I’m hopeful, which is something I definitely wasn’t when¬†30 Days 2 started. I’m hopeful that I can make everything work.

Tomorrow’s the last day of this journey. It’ll be a long few months to get the novel done.

But, no matter how long it takes, I’m going to complete another novel. One that I get to edit until it’s mind-blowing. Until it’s as epic as I imagined it being when I was 15, but as meaningful and emotionally powerful as I imagined it being ages later, when I redesigned it (without the killer clown doll).

And, that said,¬†I’m gonna get to bed. Because I’m extremely tired…

… and¬†I can’t wait to get to Day 30.

Words for the Day: 991

NaNoWriMo Total: 13,030

30 Days of NaNoWriMo 2 – Day 28: The Perspective Shuffle

Well, today was a bust.

I hit a hurdle, but it’s one I was able to figure out eventually. The solution required me to scrap today’s work and start over though, so I’m just saving that for tomorrow morning. Today, I realized a problem and was able to figure out its solution–that’s enough for me.

What the problem actually was: I went for another new perspective–that of Modis’ dad, Athus. Not because I was eager to add another’s character’s viewpoint, but because that’s what I thought would work best for the scene. And parts of it were good, but problems arose when Sydney and Modis showed up, and I started switching between their perspectives. What was supposed to be a hectic reunion preceding an escape turned into a slog through the feelings of multiple characters.

A sin that I’ve written about, lovingly known as¬†“the Tea Party.”

A few pages into everyone’s feelings, I realized¬†I was a few pages too deep. Not because characters’ emotions don’t matter, but because, as readers, we like variety. And also because there’s logically a time for running first, asking questions later.

Fortunately, this entire realization came with the certainty that cutting out Athus’ feelings would solve things. Not because I dislike him or something… but because he’s not prominent¬†in the rest of the story and I have to prioritize.

As a man who generally keeps a tight lid on perspective, this¬†was an interesting lesson¬†for me. Although I’ve read novels where a bunch of perspectives where handled with omniscient third person no problem, I just don’t like having too many detailed perspectives in one scene,¬†regardless of freedom of perspective. For me,¬†“too many” means more than two. And priority for those two always has to go to Modis and Sydney, even if they’re in a scene with Silestein–currently the only other character who gets the perspective treatment. It’s just cleaner. And better.

And I like cleaner and better. Especially now that I realize there are just two more sessions before the end of¬†30 Days.¬†It’s actually going to be a struggle to finish chapter two in two sessions.

But, I mean, of course it will be. Why would I think there wouldn’t be a tense deadline at the end of this thing? It’s writing!

But whatever, man. I can do two scenes a day. That’s right–you heard me, deadlines. Fight me on the streets.

Words for the Day: 0

NaNoWriMo Total: 11,887

30 Days of NaNoWriMo 2 – Day 27: The Timeline of Silestein Grey

Yesterday’s scene was… amazingly refreshing.

As I sat down to write, I realized that I should do a scene from the perspective of a very important side character; someone who’s actually essential to the plot (unlike Taurean, who I mentioned in a previous post). The character in question is Silestein Grey. She was created when I re-envisioned this story (so maybe two or three years ago), and thus, yesterday morning, as I wrote her first scene,¬†I got to decide¬†on her Talent (magical superpower) and a bunch of other details about¬†her past–particularly with Sydney. All in all, it was short and essential.

It was also so new that I was actually giddy when I was done.

Because that’s the thing about writing something you’ve been planning since high school–almost everything about the story has been decided for ages, so when you get the chance to get creative¬†with a newer part of it, you lose it.

The extent of my losing it: I thought about Silestein for hours at work. I planned flashbacks for her and Sydney, thought up future scenes that I’m incredibly excited for.

And I also thought it might be fun to lay down a rough timeline of her character–if only to show how I make up some of my characters.

  1. Two years ago, she started as “Sydney’s ex.”
  2. With just that title, I took a while to figure out if she should be a man or a woman. That makes it sound like there was a ton of deliberation on the subject, but there wasn’t; I just imagined Sydney with a female ex for a week or so, then switched and imagined her with¬†a male ex. In the end, a female ex just felt right for some reason. Possibly because I thought¬†it would make the most sense for Sydney to date someone non-confrontational, and the imagined ex-boyfriend was constantly challenging her feelings instead of trying to understand them.
  3. The second chapter opened with “Sydney’s ex” being non-confrontational–talking someone down while Sydney watched. I picked the placeholder name “Zidia.” I hated that name immediately.
  4. On the magical day when I edited the manuscript top to bottom, I opened my pocket notebook and flipped to the “Names,” page. “Silestein” jumped out immediately. In the same way that I love button-downs that are juuust on the edge of “too ugly,” there was something about Silestein that fit.
  5. On the same page, I saw Taurean’s name, and my brain was all, “Taurean Grey! That’s his name!” To which, I thought, “Like Dorian Grey? Pssh. Get real.” About a half second later, my brain was all, “SILESTEIN GREY!” I loved it.
  6. Despite having a last name directly related to her Talent (because that’s how people are named in the world of¬†H&T),¬†I didn’t try to figure out Silestein’s Talent was, certain it would come to me when I needed it.
  7. I sat down to write her scene yesterday¬†and realized she¬†needed to use her Talent. So… Grey. I knew I couldn’t force something to fit that name, so I was set to have my session completely derailed by my need to find her a Talent that felt natural.
    It wound up taking all of ten seconds. In part because I quickly got out of the logic loophole of “the Talent¬†has to be based on her name.” No. Not the case–her name was based on her Talent. The Talent came first. A small difference, but it was enough to find an awesome fit.

Which rolled into me staring off into space at work, lost in brainstorming all things Silestein Grey.

If there was some way we could bottle that feeling–the childlike glee of just letting your new character do stuff, becoming real in your mind, we’d all be rich.

Words for the Day: 470

NaNoWriMo Total: 11,815

30 Days of NaNoWriMo 2 – Day 26: Priorities

 

I have to be up by 5 AM tomorrow. I just calculated my optimal time frame for the morning session, and “5 AM” is what mathed out.

That means this post is going to be a little short.

And with it, I’d like to say time’s a bitch.

Today, I wrote¬†a scene that I’ve had planned for years. I think of it as the emotional hook of the story–the moment that defines what the novel will be like, locking Modis and Sydney together. Like anything else I write in first draft, it needs a lot of work…

But I enjoyed¬†writing it so much that the morning’s session became a game of chicken¬†between me and time.

“Ten minutes left?…¬†I¬†bet I¬†can finish this scene in ten minutes.”

“Five minutes. Goddammit.”

“Three minutes.”

“Okay… I should definitely be leaving right now, but I can take an extra ten minutes.”

It got to the point where I just forced myself to leave the last line of the scene, knowing I’d be late if I didn’t. And¬†man was I almost late–one of the only times I’ve ever gotten to work at the new job with minutes to spare.

Somewhere in here, there’s a lesson about priorities. It’s completely lost on me though.

Because the real lesson feels more like, “Maybe wake up with two hours of writing time?” Which is a beautiful pipe dream. Cause I’m not waking up at 4 AM. 5? Sure. But 4 AM doesn’t exist. It’s a made-up time;¬†everyone knows.

Whatever. The point is, it’s 11 PM and I should be thinking about my priorities…

Go to bed in a few minutes.

Wake up, get dressed, have coffee.

Figure out the last line of today’s scene.

And continue on to the end of the first two chapters–the point where the actual adventure begins.

I’m obviously not finishing¬†H&T by the end of NaNoWriMo,¬†but that doesn’t mean I’ve lost. Knowing that is an amazing feeling. The NaNo Police aren’t going to knock my door down and arrest me.

The only thing that could possibly keep me from writing is me.

Just thinking that makes me want to wring my hands and laugh maniacally. I’m sure some disaster will pop up–some hurdle to figure out.

But right now… it just feels like I’m getting away with something.

Words for the Day: 798

NaNoWriMo Total: 11,247

30 Days of NaNoWriMo 2 – Day 25: Let’s Do This

I got home today and didn’t worry about writing. Because I’d already done it this morning.

I was extremely confused.

I woke up an hour early today, showered, got dressed, and hammered out a quick few hundred words before heading to work. It was bizarrely casual.

It almost felt… healthy.

I know I shouldn’t be making light of it–I should be enjoying it actually; I had a late shift today that ended earlier than usual, meaning I had hours more free time than I usually do, so writing on what I keep thinking of as “the schedule” (writing when I wake up, then going to the day job) was a lot easier today. In two days, I’m back on my normal schedule, which means I’ll have to be up before the sun does. And that means… I’ll have to start heading to bed¬†at Old Man o’ Clock. It’ll be worth it.

But it’ll also be more difficult. Getting home at 11PM and waking up at 5 or 6AM is going to be rough.

So, really, I should be grateful that I got to play an extra hour or two of Warframe and watch some things.

And happy that being consistent–writing¬†something every day–isn’t really challenging anymore.

The thing is, knowing that–feeling that lack of challenge–is why I’m thinking of this schedule¬†as the schedule… I think¬†I can¬†actually use it for the rest of my life. As in, “I can imagine waking up every single morning and writing something, first thing. Every single day, until I die.”

I’m grateful for that.

I’m also… super intimidated.

Only for¬†a moment though. Just–come on–let me have this. The veil has been lifted and I’m finding that there are suddenly no excuses between me and writing every day. It’s heavy.

I find myself thinking, “Did… did I work out the stupid kinks? Is this for real? Do I actually just write now? Like… write everything?”

Well… Okay then.

Let’s do this.

Words for the Day: 452

NaNoWriMo Total: 10,349

30 Days of NaNoWriMo 2 – Day 24: Freshly Reset

So, today, having a day off with good rest… I completed the Double Scene experiment I’d come up with over a week ago. I woke up today, edited heavily, then waited for a few hours and got a second session in. And it didn’t feel like I was straining at any point; I didn’t have to slog through the scene I just wrote–I only had to be careful about writing it¬†before I got tired (or drunk–I got wine and pie for Thanksgiving).

But, of course, I did have to write a second post today, because I realize that, now, in the final stretch, I have to go in hard on the new writing schedule: wake up really early, write before I go to work, then write a post when I get home. That meant posting twice today, or else 30 Days would actually be 29 Days.

It’s weird to think that I only figured out this schedule now, on the home stretch of NaNoWriMo 2016. One more week, and then it’s back to silently toiling away with my writing projects.

Which just means that I’m going to be continuing to write this novel (because hitting pause part way¬†through a novel is like sending it out to die; there’s no way you’ll return to it in the same state-of-mind, with the same feelings and intentions). Already, it’s a huge contrast to¬†30 Days 1; at the end of my first NaNoWriMo, I had a complete novel that needed a lot of work.

Now, having written three books–two of which were terrible–it’s nice to be confident about the progress I’ve made on a new novel. Confident… and¬†tolerant about how I make that progress. Because, for a while, I was caught up worrying that I wouldn’t be able to write something that I liked more than¬†Memorythat it was going to be the one project I cling to desperately. That I’d keep throwing it at publishers, hoping it would get picked up. I was worried I wouldn’t be¬†able to write something new. And I’m gonna go out on a limb and say that a lot of writers probably have fears like these at one point or another.

I guess what I’m saying is I’m grateful that, at least for tonight, I can just smile about the novel I’m working on. Tonight, I get to be excited. I’m back to loving what I do instead of being afraid of it.

And that’s worth ¬†30 days of hard work.

Words for the Day: 659

NaNoWriMo Total: 9,910

30 Days of NaNoWriMo 2 – Day 23: Giving Thanks for Editing

The nap worked. Well, in the sense that sleeping for 10 hours is technically a nap, it definitely worked.

After yesterday’s post, I went to work, thinking up another route with the exchange I was worried about.

And then I worked on my feet for an entire day, until my legs were killing me. I walked home like that, hips actually aching, worried my one bad leg would give out.

But it didn’t. I got home, had dinner, relaxed for a bit, laid down to a nap without worrying about how long it would take.

And then I woke up today, refreshed, excited.

I proceeded to read and edit all 40+ pages of my manuscript in one sitting, editing for a consistent tone as I went, adding new names and changing terms to make the MS cohesive. It was a little sad to hit the points where I’d obviously written while half-asleep, made obvious by question marks in really strange places.

But it was a huge relief to get to the exchange I’d written last and immediately realize¬†exactly what was wrong with it.

With life being so tough the last few days, the first version of that back and forth between Modis and Sydney was incredibly tough. Serious and heavy. And sad. Modis got upset enough to cry and Sydney got angry. It just didn’t match up with the first 30 or so pages, in which Modis is generally light-hearted, smart, and determined, and Sydney is tough, curt, and untouchable.

So, without even really trying, I rewrote it, bringing myself right to the end of the MS with a ton of excitement to spare.

What I’m really trying to say with this post is, if you’ve been struggling with a part of your NaNoWriMo project (or any writing project really)–if it’s been difficult to make time and you have to push yourself¬†to write when you’re exhausted–maybe just don’t write when you’re exhausted. Maybe rework your schedule so you’re writing when you aren’t tired. Because, having just experienced the two back to back, writing when you’re completely refreshed is¬†significantly better than doing it when you’re worn out.

And, I mean, of course, right? Duh. But I say this anyway because I think that it’s easy for us to get wrapped up in being productive regardless of how we feel. We’re writers; everything has to be done on hard mode, even if we don’t realize it. It’s incredibly easy for us to be too hard on ourselves, especially if we’re working toward a word goal, like NaNoWriMo’s. At a certain point, writing becomes more about getting x-amount of words and less about the quality of those words. And I’m not blaming NaNoWriMo; I’m just saying that, as eager writers, we’re all in danger of stumbling into the word goal hole.

So, if you don’t already know, just keep in mind that, regardless of word goals, there’s a limit to what conditions you can write under as a responsible writer. Our brains are our tools, so if you have a choice between working with a dull tool or a freshly sharpened one, go with the sharpened one, for your novel’s sake.

Words for the Day: ?

NaNoWriMo Total: 9,251

30 Days of NaNoWriMo 2 – Day 22: Fundamentally

Something’s not right.

This isn’t the post where I start talking about the walls making funny noises–I promise. I’m not completely insane yet.

But something’s fundamentally wrong.

My job hasn’t gone 13+ hours mode yet, but these days, when I get home, after eating and watching something–after taking a moment to relax and not work–I’m finding it impossible to write well.

And, instead of beating myself up about it–about not writing at all last night, for example–I’m going to figure out why.

It’s not the story. It’s not the drive. I like this story and I can absolutely get behind the themes it supports. It’s also a novel I’ve wanted to write for ages, so I’m not reluctant about actually writing it.

No… It’s something else,¬†fundamentally wrong.

Last night, my writing session was only¬†minutes long. I opened my MS, got to the beginning of the exchange between my protagonists, started reading, and, already in a haze at 10PM, I absolutely had no idea if what I’d written was good or bad. After telling myself during the day that I could rewrite the scene–and knowing how to go about it–I was finding that there was just something stopping me from remembering how.

And what that “something”¬†was became pretty obvious as I tried to read the entire exchange, editing as I went… and suddenly snapping awake after¬†what felt like¬†10 minutes of sleeping at my computer.

I’d rewritten one sentence, didn’t give it end punctuation and then rolled on to write half of the next sentence, which I’d started in the middle, without punctuation–without even the prepositional phrase I’d intended to start it with. During the middle of that broken sentence, I’d just fallen asleep.

I actually said to myself, “I… I actually just can’t do this.

“I can’t write like this.”

But… a week ago, I’d had the same schedule and I’d been fine.¬†So, why couldn’t I write now, with the same schedule?

Because, a week ago, I hadn’t been the face of the seasonal event at my job. A week ago, I had solid chances to either sit down and write.

Or at least sit down.

Now, I have to stand up every day. I have to watch people walk around, full of the holiday spirit (which, in America, means that they’re 5,000,000 times more ready to argue with you, as backwards as that is). Now, my job is way more physical.

So, when I get home, I’m way more tired than I’ve ever been after work.

And, while being determined to write is always a good thing, actually writing while completely exhausted is probably a terrible idea. It’s why I couldn’t figure out how Modis got out of that cell a few days ago. And, without a shadow of a doubt, I know it’s why I’m not sure if the tones for Modis and Sydney’s first exchange are right. Possibly because I don’t remember half of it.

My schedule for the first half of NaNoWriMo 2016 just isn’t going to work for these next few weeks.

So, tonight, I figure out a new schedule. When I get home, I’m taking a nap. At worst, I’ll wake up at 4AM to write for an hour or two before work. Or at 12AM. Whatever–the point is, I’ll wake up with a clear head.

Which I need if I’m going to get¬†any more real work done on this novel.

Words for the Day: 0

NaNoWriMo Total: 8,714