The Way Forward

So, I spent about a week making sure the edit of “Aixa” was perfect. It took way longer than I thought it would.

But, as stressful and difficult as that edit was, I enjoyed doing it . . .

. . . because it felt important.

And it felt right.

It was something that I needed to do–a clear task that I attacked with very clear, realistic results in mind.

And the experience of that edit–the satisfaction I got from it–melded with a conversation I had at work last week.

Coworker: “Hey, man. How’s the writing going?”

Me: “It’s alright. Kind of struggling with the YA thing I’m writing.”

Coworker: <narrows his eyes> “That the same one you were writing back in December?”

Me: <blinks, and in that moment, he realizes that, Holy shit. I started this novel last November. And I was so sure I’d be done with in a month. Then two months. Then February. Then March. He realizes that none of this would matter if he was far along with the manuscript, but he’s not even close to half-way done. Because this has always been the “YA novel that’s kind of kicking my ass.” The one that’s “supposed to be fun, but my life isn’t amazing right now, so it’s hard to make it feel like a carefree romp.” The one that’s been difficult to write from the beginning because it’s so “comforting” and “easy-going.”> “. . . Huh. Yeah. Yeah–it’s the same one.”

Obviously, that conversation stuck with me, but it also paired with the experience of editing “Aixa”–seeing it again. They became a catalyst for a simple question: “Wait . . . What am I doing?”

“Why did I start a new novel without getting my last one ready to submit?”

“Why am I not sending out that last novel?”

“Why do I have a short story that’s an edit or two away from submission quality, but I’m just . . . ignoring it?”

“Why am I not working on any of the short stories I want to finish when they’re gnawing at me constantly . . .

“. . . and H&T just . . . isn’t coming along?”

H&T, a novel that I had a hard time even deciding to write.

In short . . . how did I let my priorities get so wildly and completely out of whack?

To a degree, I think it was maybe just peer pressure; I’m not saying anyone is at fault; just saying that I got wrapped up in the need to produce. Do a million impressive things, like participate in another NaNoWriMo and come out the other end with a new novel I love. A great idea . . .

. . . until you get to the part where I finally got a short story published. I finally have a platform–an incredibly tiny one, but it’s there; the beginnings of a professional career. And, instead of immediately buckling down and sending out the batch of other short stories I have (seriously, I’m sitting on four more good ones in varying stages of completion), I decided to . . . write a completely new novel that I knew, from the start, would be a pain in the ass.

It almost seems like . . . I’m stalling. Like I’m afraid of actually succeeding. Of putting more out in there.

And if that’s what my problem is, then, oh man, fuck that.

I love a good challenge; that was the actual reason I decided to write H&T. And, of course, my love for a good challenge hasn’t changed. But, when the way forward is full of challenges, it’s easy to get lost in them without a good plan.

So, here’s mine:

  1. H&T is going on hiatus. I’m not abandoning it–there are still scenes I’m eager to get to, but there’s also a ton of worldbuilding and brainstorming required to get it to a point where I can just write it.
  2. Finish editing and start submitting Memory. I was having a hard time working out the first chapter and that was really frustrating, but it’s been long enough–I can come back to it with a clean palette. I can get it done.
  3. Finish editing and start submitting “Lokisday.” This story is probably three editing sessions away from submission. It required a really intense addition (the one-paragraph-that-will-influence-a-bunch-of-intense-dialogue kind), but, again, I can handle it.
  4. Rewrite “A Nameless God in a Silent Realm.” A short that was always missing something. I’ve come to think of that something as “truth”–a fundamental experience or feeling that drives a story, gives it meaning. The old version of “Nameless God” drummed up feelings but didn’t direct them at anything. I know how to fix that now.
  5. Rewrite “Respawn,” my sci-fi story. Also from the drums-up-feelings-with-no-direction era of short stories. I also know what to do with this one.
  6. Do all of this while worldbuilding for H&T, so I can get back to it with a firmer grasp of the world . . . and hopefully more published work under my belt.


Well, thanks for reading. This post was a little weird for me because it feels like War of Exiles all over again. That novel was also difficult to write, so it’s hard to not compare these two experiences, even though they’re wildly different; WoE was bad and messy, but H&T is challenging and really poorly timed on my part. Regardless though, I have my plan. I just have to remember that I’m learning from my past here, not reliving it.

My name is Louis Santiago, and I’m a fantasy writer based in the Bronx. My short story, “Aixa the Hexcaster,” was published last year in Mirror Dance Fantasy. However, I’m still very much learning about the writing process–still trying to figure it out–which means posting here every week, even though I make absolutely no money from it. So, if you like what you read here and feel up to getting updates by email – a new post from me delivered right to your inbox – then please hit the Follow button at the bottom of this page. Because, even though all I get from this site is emotional support, that support means the world to me.

Seriously, even if you’re just stopping by, thank you so much. And, as always, write well.

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Louis Santiago

I'm a fantasy writer based in New York. One of my short stories, "Aixa the Hexcaster," was published at Mirror Dance Fantasy. You can read it here:

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